It’s kind of interesting to look back at this portrait. It was my 49th oil painting, which at the time of writing this, was 64 paintings ago. It’s kind of wild to think I’m that far behind in blogging – this was done in February, and I’ve painted more in the time since then than I had in total when
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I’m so incredibly far behind now in sharing paintings, and it seems like there’s not much I can do to address it. I’ve tried batching multiple into one post, and I’ve tried simplifying my posts as well. But it just seems I am vastly more interested in painting than I am blogging. Not really a problem exactly – I am
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Around the time of this painting, I was thinking about how often I paint similar things. As you can tell from a quite browse of this site, I pretty consistently share head and shoulders portraits of people. Occasionally, I’ll branch out into a figure study, a pet, or even a rare landscape. But usually, I practice similar styles and types
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This painting of a woman in a dark room is another portrait study in my efforts to practice specific areas that aren’t my strongest. There are a few aspects of portrait painting that come to mind, but one in particular goes back even to my colored pencil days. I’ve talking about this before in more depth, but for a long
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It might be sort of weird how I’m phrasing this title – a “Jon Amdall Self Portrait”…painted by Jon Amdall…written by Jon Amdall. That’s a lot of weird third person references. But, since it’s the latest painting I’ve done of myself, and I’d kind of like to index this thing and let search engines pick it up, I figured I’d
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When I started this painting, I had some vague notions of treating it sort of like a capstone project. Although I’ve done over 80 paintings now, at the point in time when I painted this one, I had done somewhere in the mid-40s. I really felt like I was starting to get into the groove of things, and was seeing
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I might say this too often, but the oil painting featured in this post seems to represent somewhat of a milestone for me. It’s of a lady with sunflowers behind her, and is another attempt at a partial figure study rather than the usual head-and-shoulders portrait I tend to roll with. It’s noteworthy to me because right around this time,
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The subject of this post is an oil painting I did of my all-time favorite musician Mike Patton. Patton is a man of many bands and projects, including Faith No More, Mr. Bungle, Fantomas, Tomahawk, and quite a few more. I’ve drawn him in colored pencil a couple of times, and in those posts I discuss why I like his
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The subject of this post’s oil painting is the second of two requests from my kids. This time, it was an attempt at a portrait of Taylor Swift. She’s one of their favorites, even more so since her recent album came out. Their mom went to the concert associated with this new album, and the kids definitely got caught up
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The subject of this post is an oil painting I did by request of my kids – it’s a portrait of one of their favorite musicians Dua Lipa. She has a couple of songs they really love, specifically Don’t Start Now and Levitating are two they most often belt out at high volumes. After I painted one of my favorite
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I’ve mentioned on a few blog posts over the last few months how far behind I am sharing artwork. This has been a continuously building situation since I started painting in October – but I’m not sure I could say it’s necessarily a terrible thing. I’ll explain what I mean by that, but first I want to give some more
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I’ve been thinking a lot lately about how I value different technological tools I have at my disposal, particularly those large scale online services I use. And a natural follow up thought is about contributing to those online ecosystems I actually value. For a long time, I’ve held to the stubborn notion that I only wanted to use social media
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This post is broadly about reference images and where to get them, but really the purpose is to discuss my first experience actually paying someone to pose for painting references. Actually hiring portrait models for art reference photos, which seemed intimidating, but in reality was quite a nice experience. I’ve long relied on various royalty free image websites, such as
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This post is going to be about the importance of a painting’s initial structure. Basically, how the build and forms that you start with can impact the finished product, whether you use a pencil outline, underpainting, or just rough shapes. I’m probably going to contradict myself quite a bit here though, because somehow, I also concurrently believe that the initial
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With this post, I want to talk a little bit about painting composition and color. At the point in time when I did this painting, which was a couple months and almost 30 paintings ago now, I was watching a massive amount of videos from expert artists to try to learn more. I kept hearing the word “composition” thrown around
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