This painting of a woman in a dark room is another portrait study in my efforts to practice specific areas that aren’t my strongest. There are a few aspects of portrait painting that come to mind, but one in particular goes back even to my colored pencil days. I’ve talking about this before in more depth, but for a long
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When I started this painting, I had some vague notions of treating it sort of like a capstone project. Although I’ve done over 80 paintings now, at the point in time when I painted this one, I had done somewhere in the mid-40s. I really felt like I was starting to get into the groove of things, and was seeing
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I might say this too often, but the oil painting featured in this post seems to represent somewhat of a milestone for me. It’s of a lady with sunflowers behind her, and is another attempt at a partial figure study rather than the usual head-and-shoulders portrait I tend to roll with. It’s noteworthy to me because right around this time,
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I’ve mentioned on a few blog posts over the last few months how far behind I am sharing artwork. This has been a continuously building situation since I started painting in October – but I’m not sure I could say it’s necessarily a terrible thing. I’ll explain what I mean by that, but first I want to give some more
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This post is broadly about reference images and where to get them, but really the purpose is to discuss my first experience actually paying someone to pose for painting references. Actually hiring portrait models for art reference photos, which seemed intimidating, but in reality was quite a nice experience. I’ve long relied on various royalty free image websites, such as
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This post is going to be about the importance of a painting’s initial structure. Basically, how the build and forms that you start with can impact the finished product, whether you use a pencil outline, underpainting, or just rough shapes. I’m probably going to contradict myself quite a bit here though, because somehow, I also concurrently believe that the initial
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With this post, I want to talk a little bit about painting composition and color. At the point in time when I did this painting, which was a couple months and almost 30 paintings ago now, I was watching a massive amount of videos from expert artists to try to learn more. I kept hearing the word “composition” thrown around
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This post is all about light and my struggles with it – I want to give my thoughts on lighting for a studio/workspace, but also a bit on lighting within a painting itself. In the past, I might have considered writing separate posts about these topics, dedicating one to a discussion of depicting light sources and another for actual physical
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This post is all about messing up artwork, which is something I have a decent amount of experience with. I’m going to share some of my thoughts on fixing mistakes in drawings and paintings, and redoing artwork when it’s just beyond the point of repair. And to go with this discussion, I’ve got a great example of a painting that
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In this post, I want to take a step back and compare the different types of art videos I’ve shared on the YouTube channel. Basically, comparing art video time-lapse lengths and styles. I’ve really been making an effort over the last couple of months to get some varied content onto the channel. And one of the motivating questions at the
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My painting journey has taken a learning-oriented turn towards trying to abandon some of my most loved crutches. The most significant of these crutches has been using pencil to sketch outlines before painting, which is how I got my feet under me with the first dozen paintings. But recently, I decided if I wanted to truly develop my skills, I’d
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Buried at the end of my last post, I posed the question, “How do you digitize your artwork?” I embedded a crowdsignal poll with some options that came to mind, which actually represent things I’ve considered. Since I started back into the art hobby about five years ago, I’ve been taking photos of portraits using my smartphone. As the years
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A couple of specific things are at the forefront of my mind right now when it comes to painting. The first is that, in a general sense, I need lots of practice. Over the course of around five years and 150ish portraits, my colored pencil drawings improved noticeably. I can see major areas where my painting skills need to develop,
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One of the many unexpected questions that arose as I started learning to paint was, what do I do with extra paint on my palette when I’m finished? I’m about 10 paintings into it now, and I still don’t have a great sense of how much paint I’ll need. But that was especially true with the first few paintings –
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I’ve talked about my affinity for stock photos on many occasions. In previous posts, I’ve written about royalty free images, photo spamming on social media, and my general love of memes (which tend to lean heavily on stock photos). I just find these images to be very appealing from a portrait study perspective. The facial expressions and/or subject positions are
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